The Face of Medusa is a Greek drama film directed by Nikos Koundouros. It was entered into the 17th Berlin International Film Festival. It features a. By examining both the pottery itself and leading scholarship on the subject, this article tracks the changing faces of Medusa not simply in a. In Greek mythology, Medusa was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Gazers upon her hideous face would turn to aromaaroma.infoen: Pegasus and Chrysaor.
Indeed, the figure of Medusa is characterized by paradox, both in terms of the actual mythical stare, which turned men to stone, and in the interpretations that have been given to it. Red-figure kantharos drinking vessel , BC. This s drama film—related article is a stub. It is noticeable here that the focus is much more on the mourning of Medusa's sisters, than on the triumph of Perseus. According to Ovid Metamorphoses, IV. The artist has kept the composition of the pelike in Figure 3, however, and it is with this in mind that I suggest that this may have been a slightly failed attempt at a sombre scene of Medusa's death.
Face of medusa - erfolgreichen Jahren
In order to appreciate fully the differing presentations, it is necessary to look back at a much more monstrous example of Medusa's role in Greek thought. Plus 0 Tweet Share 0. I doubt it to be true, but even if it were -- there is more to life than beauty alone. With the curse of Athena upon her, she turned into stone whomever she gazed upon, till at last, after a life of nameless misery, deliverance came to her in the shape of death, at the hands of Perseus. How to Uncover and Conquer the Myths. De mantel der Liefde Such a change in Greek thought as a whole took time: However, the hero remains trapped in the interplay of images and the logic of the talisman, just as he remains fascinated by the Gorgon mask. He yells "Vortex, Take 20 etc. Attic red-figure bell krater a rounded vessel used for mixing wine and water , by the Villa Giulia painter, BC, British Museum, London. Koundouros did an amazing job making the scene speak of itself, however I also believe he said that this film needs "the help of the viewer". The story stresses the association of the monster with the element of water and, in particular, with the sea into which it has to be driven back. Unlocking Its Secrets, Claiming Its Power by Mary Valentis and Anne Devane notes that "When we asked women what female rage looks like to them, it was always Medusa, the snaky-haired monster of myth, who came to mind Keep track of everything you watch; tell your friends. Woodford notes that artists were in fact challenged in creating a monster so hideous as to appear 'capable of inducing such grievous terror' A stranger looks at her and decides to stay with the group. Your fate shall serve as a reminder to others to control their pride.
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